(Image: https://davissignsutah.com/wp-content/uploads/2020/10/img-011.jpg) Parliament is not usually the stage for design debates. Tax and trade dominate the agenda. One late night in Westminster, the glow of signage took centre stage. Yasmin Qureshi, Labour MP for Bolton South and Walkden, brought heritage into the chamber. Her message was clear: hand-bent glass filled with noble gas is artistry. She warned against plastic imitations, saying they undermine public trust.
Only gas-filled tubes deserve the title. Another Labour voice joined, sharing his own commissioning of neon art in Teesside. The benches responded warmly. Numbers framed the urgency. Only 27 full-time neon benders remain in Britain. The pipeline of skills has closed. Without action, a century-old craft may die. The Commons considered safeguarding, modelled on Champagne. Preserve authenticity. Support also came from Jim Shannon, DUP, bringing a commercial lens. Forecasts predict $3.3bn market by 2031.
His point: authentic craft has future potential. Closing remarks came from Chris Bryant, Minister for Creative Industries. He played with glow metaphors, drawing laughter. Yet beyond the humour, he acknowledged the case. He listed Britain’s neon landmarks: Walthamstow Stadium’s listed sign. He emphasised longevity. What is at stake? The risk is confusion. Craft is undermined. That threatens heritage. Comparable to food and textile protections.
If Champagne must be French, then signage should tell the truth. The debate mattered beyond signage. Do we accept homogenised plastic across every street? We hold no doubt: authentic glow endures. So yes, Parliament discussed neon. The protection remains a proposal. But the spotlight has been lit. If MPs can recognise craft, so can homeowners. Skip LED pretenders. Choose neon.
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